Cinematic Synths

A modern string orchestra imitating classic synth sounds, from the mind of Grammy-nominated composer, electronic music pioneer & technologist Brian Transeau, AKA BT, Polaris is a mesmerising aural innovation which tastefully pairs the worlds of synthesis and orchestra, an encyclopaedia of new and inspiring sounds with almost endless possibilities.

Also in collaboration with Brian Transeau, AKA BT, Phobos is a must-have synthesiser for composers writing epic, cinematic electronic and hybrid compositions. With an asset base featuring over 20GB of unique hand built BT rhythms, pulses, textures and atmospheres, and a revolutionary polyconvolver engine, you can quickly and easily create molecular loops, patterns and textures to energise your music and hold your audience at the edge of their seats.

Made from symphonic orchestral recordings, originally captured at AIR Studios, London. Treated and warped to create a range of classic pad sounds — from rich, dystopian tension beds to celestial, ethereal textures. 23 presets, made from 45 pads. Six controls. Three signals. ‘Cinematic’ signal created using outboard, hardware reverbs and effects.

Created with innovative production tools designed by pop pioneer Trevor Horn. A comprehensive collection of characteristic and crafted drums, basses, synths, piano and FX, capturing the production style and otherworldly sonic elements associated with the pop innovator's work.

An epic collection of synthesised orchestral sounds, eDNA Earth has been created using our enormous range of organic orchestral recordings, manipulated, warped and reprogrammed beyond recognition. Created with film, TV and games music in mind, offering endless inspiration to the next generation of media composers, while also appealing to dance and pop producers wanting to add cutting-edge, cinematic electronic textures to their music.